In the years 1967 to 1971, I had the extreme pleasure to personally perform live lightshows with a number of great bands.... As one of the three co-founders and operators of the Brotherhood Of Light lightshow in San Francisco, California...... I was there for every show listed in this timeline except the first three...The Audience, Promoters And Band Members All Agreed On One Thing.....that the Lightshow added a great deal of entertainment value to these Dance/Concerts and contributed to the overall atmosphere in a positive way.
This is the timeline of the early Brotherhood of Light Lightshow..... This page is 'a work in progress' and will be updated regularly as I remember and uncover stories and circumstances of related interest....including a display of vintage posters and vintage Lightshow Art.... (more text under timeline.)
DATES |
LOCATION/PROMOTER |
POSTER/ARTIST |
BANDS |
COMMENTS |
2-4-67 |
Webb's at The Stockton Hotel Stockville Light Express Stockton, California |
John Hardham |
Family Tree Peanut and the Vendors |
The history of The Brotherhood of Light lightshow really begins with Brian Eppes in Stockton, early '67. |
2-25-67 |
Webb's at The Stockton Hotel Stockville Light Express |
Brian Eppes |
Mark IV The Epics |
In these early weeks, Brian rented the hall, hired the bands and did the |
3-4-67 |
Webb's at The Stockton Hotel Stockville Light Express |
John Hardham |
Yellow Brick Road |
lightshow.... Stockton had never seen anything like this before... |
3-11,18,25-67 |
Betty Hacket's Dance Studio Harding Way/Pacific, Stockton Stockville Light Express |
no poster for 3 weekends |
Family Tree Plastic Explosion Crystal Timetable |
This is when Brian and I began doing shows together. Stockton required attendance by membership only. |
4-1-67 |
Webb's at The Stockton Hotel Stockville Light Express |
Neon Rose #11 Victor Moscoso |
The Cloud Plastic Explosion |
Brian and I rode double on my motorcycle to San Francisco on a |
4-19-67 |
Webb's at The Stockton Hotel Stockville Light Express |
Neon Rose #13 Victor Moscoso |
Plastic Explosion The Plague |
very rainy day to finalize the poster deal with Victor. |
4-28-67 |
Stockton Ballroom Green Grass Productions |
John Hardham |
Grateful Dead |
Brian&Bob help Jim Arnold and friends with lightshow |
10-20-67 |
Straight Theater Haight&Cole, San Francisco |
"Work It Out" SF was not allowing a dance permit...poster: Luther Green |
Charlatans/ Soft Pretzel/ Congress Of Wonders |
1st show with Marc,Brian,Bob. Marc called his lightshow 'Aerial Transit' |
11-11-67 |
Sebastopol |
"Something Happening in Sepastapol" poster artist unknown |
Indian Summer/ Time Seekers |
1st BOL show (not on poster) |
1/9-13/68 |
Straight Theater Haight&Cole, San Francisco |
poster artist: Terre' |
Notes From The Underground/ All Men Joy/ Womb |
1st show with Brotherhood Of Light on handbill |
1/16-20/68 |
Straight Theater |
poster artist unknown |
Clover, Salvation/Indian Headband/Liberty Street |
BOL on handbill |
1/30/68-2/3/68 |
Straight Theater |
unknown |
Santana/Mt.Rushmore/Phoenix/Martha's Laundry |
The lightshow was fantastic! |
2/6-10/68 |
Straight Theater |
unknown |
Blue Cheer/Wildflower/Mother Earth/Liberty Street |
We practiced in the daytime too with the bands. |
2/27to3/2/68 |
Straight Theater |
C. Braga |
All Men Joy/Charlie Musselwhite/Santana/Retrus |
|
3/4/68 |
Straight Theater |
unknown |
Charlie Musselwhite/Phoenix/All Men Joy/Marble Farm |
"Peace&Freedom Benefit |
3/5-9/68 |
Straight Theater |
C. Braga |
Siegel Schwall/Mad River/Curly Cooke/Fruminous Bandersnatch |
|
3/19/68 |
Straight Theater |
S.A.F. |
Kaleidoscope/Mint Tattoo/It's A Beautiful Day/James Cotton |
|
3/23-27/68 |
Straight Theater |
unknown |
Charlatans/Sons Of Champlin/Mad River/Peace |
|
3/31/68 |
Straight Theater |
unknown |
All Men Joy/Flamin' Groovies/Mt.Rushmore/Freedom Hwy/ Fruminous Bandersnatch/Liberty St/Dandelion Wine |
"Off Ramp" Benefit |
4/5-7/68 |
Straight Theater |
C. Braga |
Charlatans/Curly Cooke/Marble Farm/Flamin' Groovies |
|
4/9-13/68 |
Straight Theater |
S.A.F. |
Chrome Syrcus/Mad River/Santana/Dandelion Wine |
|
5/3-4/68 |
Straight Theater |
A. Snow |
Country Weather/Martha's Laundry/Sons Of Champlin |
|
5/5/68 |
Straight Theater |
unknown |
Youngbloods/Country Weather/Fruminous Bandersnatch/AB Skhy |
McCarthy for President Benefit |
5/17-19/68 |
Avalon Ballroom Post&Sutter, San Francisco |
FD-119 William Henry |
Junior Wells, Sons Of Champlin, Santana |
BOL (not on poster) |
5/28-29/68 |
Avalon Ballroom |
FD-680528 artist unknown |
Crystal Syphon, Phoenix, Indian Headband, Mint Tattoo,Initial Shock, Loading Zone, All Men Joy, Country Weather, Linn County, Santana, AB Skhy, It's A Beautiful Day |
Spring Medicine Show Benefit for Haight/Ashbury Free Medical Clinic |
6/12/68 |
Carousel Ballroom Market&Van Ness, SF |
Stanley Mouse |
|
Kelly Fire Dance Benefit |
6/20-23/68 |
Carousel |
Bob Seidemann |
Big Brother, Fleetwood Mac, Dr.John |
House Lights for a month |
6/28-30/68 |
Carousel |
S.A.F. |
Steve Miller, Buddy Guy, Initial Shock |
|
7/12-13/68 |
Sound Factory Sacramento |
S.A.F. |
Steppenwolf, Ace Of Cups, Initial Shock |
Lots of liquids |
8/9-10/68 |
Sound Factory Sacramento |
S.A.F. |
Quicksilver, Ace Of Cups, Congress Of Wonders |
Bob Is 21 |
8/30-9/1/68 |
Fillmore West Market&Van Ness SF |
BG-134 Conklin B&W Lion |
Grateful Dead Preservation Hall Jazz Band, Sons Of Champlin |
Audition for Bill Graham BOL unlisted |
9/5,6,7/68 |
Fillmore West Bill Graham |
BG-135 Conklin Skulls/Moose |
Chuck Berry, Kensington Market, Steve Miller |
BOL unlisted Hug from Chuck |
9/19-21/68 |
Fillmore West |
BG-137 Rick Griffin |
Albert King, Creedence Clearwater Revival, Black Pearl |
"Bull's Eye" |
10/11,12/68 |
Fillmore West |
BG-140A Pat Hanks |
Buck Owens and his Buckaroos |
BOL unlisted |
10/17-19/68 |
Fillmore West |
BG-141 Moscoso/Griffin |
Iron Butterfly, Sir Douglas, Sea Train |
Tao Dance |
11/4/68 |
Longshoreman's Hall |
Poster artist unknown |
Grateful Dead |
Mark Lane Benefit |
11/7-10/68 |
Fillmore West |
BG-144 Conklin |
Quicksilver, Grateful Dead, Linn County |
Face/Joker |
11/14-17/68 |
Fillmore West |
BG-145 Conklin |
Ten Years After, Sutra, Country Weather |
Octopus |
12/5-8/68 |
Fillmore West |
BG-148 Conklin |
Jeff Beck, Spirit, Sweet Linda Devine, Sweetwater |
Letter people |
12/12-15/68 |
Fillmore West |
BG-149 Conklin |
Country Joe, Terry Reid, Sea Train |
Bizzare creatures |
12/31/68 |
Winterland Post&Steiner |
BG-152 Conklin |
Grateful Dead, Quicksilver, Santana, Beautiful Day |
Baby from skull/New Years Eve |
1/2-4/69 |
Fillmore West |
BG-154 Tuten |
Grateful Dead, Blood Sweat&Tears, Spirit |
Queen Mary in doorway |
1/9-11/69 |
Fillmore West |
BG-155 Tuten |
Country Joe, Led Zepplin, Taj Mahal |
Car front |
2/7-9/69 |
Avalon Ballroom Sound Proof Productions |
B&W Cartoon handbill Gilbert Shelton |
Youngbloods, Lee Michaels, Screamin' Jay Hawkins |
Last Avalon show |
2/13-16/69 |
Fillmore West |
BG-160 Irons |
Santana, Collectors, Melanie |
Portrait/City |
2/27-3/2/69 |
Fillmore West |
BG-162 Conklin |
Grateful Dead, Pentangle, Sir Douglas |
faces |
3/20-23/69 |
Winterland |
BG-165 D. Bread |
Big Brother&Holding Co.,James Brown, Aum |
Janis portrait |
4/3-6/69 |
Fillmore West |
BG-167 Irons |
Procol Harum, Buddy Miles, Blues Image |
Train from mouth |
4/10-13/69 |
Fillmore West |
BG-168 Tuten |
Jeff Beck, Ainsley Dunbar, Zephyr |
Train |
4/24-27/69 |
Fillmore West and Winterland |
BG-170 Tuten |
Led Zepplin, Driscoll-Auger, Colwell-Winfield |
Avocado |
5/1,4/69 |
Fillmore West |
BG-171 Tuten |
Jefferson Airplane, Mongo Santa Maria, Cold Blood, Elvin Bishop |
Praise the airplane |
5/8-11/69 |
Fillmore West |
BG-172 Conklin |
Albert King, It's A Beautiful Day, Aum |
Lumpy lady |
5/23,24/69 |
Winterland |
BG-174 Tuten |
Creedence Clearwater Revival, Northern California Youth Choir, Bangor Flying Circus |
Titanic |
6/5-8/69 |
Fillmore West |
BG-176 Tuten |
Grateful Dead, Jr. Walker, Glass Family |
Cool Aid |
6/17-19/69 |
Fillmore West |
BG-178 Singer |
The Who, Woddy Herman, AB Skhy |
Venus/Desert |
6/27-29/69 |
Fillmore West |
BG-179 Singer |
Spirit, Lee Michaels, Pyewacket |
Crucifix/ Junkyard |
7/1-3/69 |
Fillmore West |
BG-180 Singer |
Lonnie Mack, Rockin', Jonny Winter |
Lips/Tulips |
7/4-6/69 |
Fillmore West |
same poster |
Eric Burdon, Beautiful Day, Cat Mother |
|
7/11-13/69 |
Family Dog on the Great Highway |
FD-690711 Artist unknown |
Rubber Duck, Youngbloods, Lamb, Mother Bear |
map on back |
7/18-20/69 |
same |
same |
Sir Douglas Quintet, Bicycle, Kwan Ditos |
|
7/22-24/69 |
Fillmore West |
BG-183 Singer |
Ten Years After, Ike&Tina Turner, The Flock |
Shroud/ Pillars |
8/5-10/69 |
Fillmore West |
BG-185 Singer |
Fleetwood Mac, Junior Walker, Lee Michaels |
Horse/ shadow |
8/15-17/69 |
Family Dog on the Great Highway Chet Helms |
FD-690815 Artist unknown |
NewLostCityRamblers,MikeBloomfield&Nick Gravenites with Southern Comfort, Devil's Kitchen, Taj Mahal |
There was TV in the room with men on the Moon |
8/19-21/69 |
Fillmore West |
BG-188 Singer |
John Mayall, Mother Earth, NYRR Ensemble |
steps/moon/forest |
8/29-31/69 |
Fillmore West |
BG-189 Singer |
Spirit, Savoy Brown, Womb |
David on Moon |
9/4-7/69 |
Fillmore West |
BG-190 Singer |
Santana, Sea Train, Yuseff Lateef |
hand, globe |
9/18-21/69 |
Fillmore West |
BG-192 Randy Tuten |
Taj Mahal, Buddy Guy, Spooky Tooth |
S.Mouse portrait |
9/24/69 |
Fillmore West |
Eduardo Arderi |
Sanpaku, Ace of Cups, Terry Dolan, Beautiful Day, Sons Of Champlin, The Outlaws |
Biafra Benefit |
10/3,4/69 |
Winterland |
BG-194 Greg Irons |
CSNY, Blues Image, John Sebastian |
kissing |
10/9-12/69 |
Fillmore West |
BG-195 Randy Tuten |
Country Joe, Blodwyn Pig, Albert King |
|
11/6-9/69 |
Winterland |
BG-199 Tuten |
Led Zepplin, Bonzo Dog, Roland Kirk |
|
11/20-23/69 |
Fillmore West |
BG-203 Tuten |
Jethro Tull, MC5, Sanpaku |
bicycle/nude |
12/4-7/69 |
Fillmore West |
BG-205 Singer |
Grateful Dead, Flock, Humble Pie |
face/pills |
12/18-21/69 |
Fillmore West |
BG-207 Singer |
Santana, Grand Funk RR, Fat Matress |
horse/hoof |
1/2-4/70 |
Fillmore West |
BG-210 Singer |
Byrds, Fleetwood Mac, John Hammond |
eagle/flag |
1/22-25/70 |
Fillmore West |
BG-213 Singer |
Albert King, Savoy Brown, Zephyr |
|
2/5-8/70 |
Fillmore West |
BG-216 Singer |
Grateful Dead, Taj Mahal, Bigfoot |
mushroom |
3/7/70 |
Fresno, Ca. Joint Venture |
Artist unknown |
Paul Butterfield, Taj Mahal, Blue Grass Dakota |
Fresno |
3/26-29/70 |
Fillmore West and Winterland |
BG-225 |
Chicago, James Cotton, Family Fritz |
skeleton |
4/2/70 |
"Festival" Stockton Civic Auditorium |
|
Youngbloods, Loading Zone, Staton Bros. |
Stockton |
4/9-12/70 |
Fillmore West |
BG-227 Singer |
Grateful Dead, Miles Davis, Stone The Crows |
shell |
4/24,25/70 |
Winterland |
BG-229 Singer |
Joe Cocker, Van Morrison, The Stonemans |
|
4/29/70 |
Fillmore West |
BG-230 Pat Hanks |
Pink Floyd |
Bol unlisted |
5/7-10/70 |
Fillmore West |
BG-232 Singer |
Lee Michaels, Small Faces, Catfish, Shorty |
|
6/18-21/70 |
Fillmore West |
BG-239 Singer |
Quicksilver, Don Ellis Orch., Rockwell |
|
6/30-7/2/70 |
Fillmore West |
BG-241 Singer |
Traffic, Leon Russell, John Hammond, Lamb |
God&man |
7/9-12/70 |
Fillmore West |
BG-242 Singer |
Quicksilver, Mott The Hoople, Silver Meter |
eclipse/splash last BG |
|
|
|
|
|
9/18,19/70 |
Pepperland Ballroom 737 E. Francisco Blvd, San Rafael, Ca. |
PL-700918 Behrens |
Hot Tuna, Capt. Beefheart, Chas. Lloyd |
Pepperland offered more creative control of the room. all Brotherhood of Light |
9/25,26/70 |
Pepperland NBL Productions |
PL-700925 Unknown |
Frank Zappa & Mothers, Tim Buckley, Kindred |
I got to shake Frank's hand |
10/16,17/70 |
Pepperland |
PL-701016 Gorchov |
Pink Floyd, Kimberly, Osceola |
Pink set up on the dancefloor |
10/24,25/70 |
Pepperland |
PL-701024 Gorchov |
Steve Miller, Jerry Hahn, Dan Hicks & Hot Licks |
|
11/13,14/70 |
Pepperland |
PL-701113 Gorchov |
Incredible String Band, Doug Kershaw, Joy Of Cooking |
|
11/28/70 |
Pepperland |
PL-701128 Unknown |
Leon Russell, Capt. Beefheart, Clover, Truk |
|
12/18,19/70 |
Pepperland |
PL-701218 D.Bread |
Chuck Berry, Sir Douglas, Boz Scaggs |
|
12/20/70 |
Pepperland |
PL-701220 Folklore Productions |
Joan Baez |
|
1/22,23/71 |
Pepperland |
PL-710122 Behrens |
Youngbloods, Sea Train, John Fahey |
|
1/29,30/71 |
Pepperland |
same poster |
Cold Blood, Boz Scaggs, Stoneground |
|
2/5,6/71 |
Pepperland |
PL-710205 Behrens |
Elvin Bishop, PG&E, Tower Of Power |
|
2/20,21/71 |
Pepperland |
PL-710220 Behrens |
Big Brother, The Sons, Clover |
|
2/26,27/71 |
Pepperland |
PL-710226 Unknown |
Spencer Davis, Dan Hicks&Hot Licks, Country Weather |
|
3/5,6/71 |
Pepperland |
PL-710305 Behrens |
Steve Miller, John Lee Hooker, Bronze Hog |
|
3/12,13/71 |
Pepperland |
same poster |
Lee Michaels, Joy Of Cooking, Fourth Way |
|
3/11/71 |
Pepperland |
PL-710311 Unknown |
Linda Ronstandt, Clover, Little John, Chris Darrow |
|
3/19,20/71 |
Pepperland |
PL-710319 Marberry |
Beautiful Day, Odetta, Victoria |
|
4/2-4/71 |
Pepperland |
PL-710402 Unknown |
Taj Mahal, Boz Scaggs, Lamb, Grootna |
|
4/11/71 |
Pepperland |
PL-710411 Unknown |
Quicksilver, Hot Tuna, Lizard |
Last NBL show |
9/9-11/71 |
Pepperland/Fun Productions |
PL-710909 |
Steve Miller, Yogi Phlegm, Nazgul, Clover |
|
9/24,25/71 |
Pepperland |
PL-710924 |
Mike Bloomfield, Stoneground, Clover |
|
11/13/71 |
Pepperland/ Litchfield |
PL-711113 |
Tower Of Power, Cold Blood, Norman Greenbaum |
|
12/4/71 |
Pepperland |
PL-711204 |
Boz Scaggs, Earthquake, Staton Bros. |
|
12/11/71 |
Pepperland |
PL-711211 |
Joy Of Cooking, Commander Cody, Crossfire |
|
1/22/72 |
Pepperland |
PL-720122 |
Tower Of Power, Redwing, Roger Collins |
|
The history of The Brotherhood of Light lightshow really begins with Brian Eppes in Stockton, early 1967....In those early weeks, he was working hard on developing shows in Stockton. He named his show The Stockville Light Express.... He rented the hall, hired the bands, and did the light show. It was a lot for one guy to do so he was glad when a few of his friends would help.... One sunny day,I picked up Brian hitchhiking near the university. He told me of his shows...I was truly fascinated with his verbal desciptions of an art form that would soon consume me. Of course, I went to the very next show and began helping..... For the next shows I quickly built a light piano which provided colorful shadows of the building's rafters..... I also built a bubble machine that we set up above the strobelight.... I even brought a small aquarium to project the fish.... a good effect although the fish were upside down on the screen.
At that time, most of the kids who liked rock'nroll and lightshows were under 18 years old. Stockton had a law against minors attending public dances. We formed a free membership of hundreds of teenagers.... All card carrying members of The Stockville Light Express, they were legally allowed to attend our Dance/Concerts. We added more projectors for even more wall and audience coverage. We built pipe frames around the overhead projectors to allow free arm movement... the necks removed. the heads were mounted above the base on an adjustable pipe for focus. This made it possible for the glass plates to fit squarely upon the projector base. The pipe frame was also where we mounted our colorwheels. We had 3 or 4 slide projectors... One was a pretty nice Carousel.... Most of the slide projectors were oddly shaped, old fashioned donation from the family clothes closet.... One fellow would arrive sometimes with his 8mm projector ...... With bedsheets behind the band, and an off white wall, we projected or colors to an eager, enthusiastic and well mannered audience of teenagers. Stockton was smaller back then, and though we were getting a good response from everyone, we couldn't make enough money to finance our venture in Stockton....We felt ready to take the next step... to San Francisco.
Brian scouted ahead to San Francisco and found Straight Theater. Formerly called the Haight Theater, an old movie theater in what used to be the 'Russian District'. It seemed the perfect venue for the times.... I had lived in the Haight for a couple of months in the summer of '66 and was very comfortable with the magical vibrations of that area. To say the least, we met lots of very interesting people..... We were all young and enthusiastic... we were glowing with self assurance..... knowing that we were all very good at our chosen craft..... Even the very first time that we jammed in the Straight, everyone loved what we were doing and encouragement was everywhere....We were a bright and colorful spark that ignited a flame of joyful celebration.
Marc Maxman, recently departed from The North American Ibis alchemical Co. lightshow, was experienced from doing lights at the Avalon earlier in the year.... He had colors and a projector to add to the mix, as well as providing a place to stay temporairly . He called his one man lightshow 'Ariel Transit' and we worked together on one show with that name, after which we all agreed on a new name... Brotherhood of Light... We were indeed Brothers in Light.
The Straight was perfect for lightshows.... Reggie, the manager of the theater, was a lightshow man himself and was sensitive to our needs... With lots of electricity and big screens, our basic necessities were fulfilled.... Stagelights set as to not 'wash out' the screens, we were free to show our colors. When the music started, we took off with them.... people found themselves unable to look away from the imagery... it was a powerful moment.
Encouraged by our overwhelmingly positive reception, we continously developed and improved our style.... our goal, to synchronize our fluid colors with the music.... It was a time to illustrate the beauty of nature.... many of our slides were flowers.... many were painted glass.... In the early days at the Straight, we hadn't shot much photography yet.... But in the following months, as we became popular, we had the money to buy film and shoot lots of slides. My favorite camera attachment was a Kenko 180 degree Fisheye Lense that screwed onto the front of my Nikon F. I shot lots of fisheye everything including nature and time exposures.
To enhance the imagery and co-oridinate the whole lightshow into a collective projection of balance and harmony we would add color wheels. They were motorized so we could slow them to a crawl or adjust them to the tempo of the music. The wheels themselves were made of wood, well balanced and filled with a logical sequence of colored gel....(depending on the desired effect). From our portable control panel we could control all of these wheels and stop them entirely between songs. The panorama was awesome,a thing of beauty... Truly a worthy Artform.... with a life of it's own.
Contact Us |
©2023 www.universoulightforms.com View Terms of Use |